Marc Péridis
Cart 0

ABOUT MARC PERIDIS


 

Initially a self-taught interior designer, Marc ran his own interior design studio for nearly 10 years, overseeing the completion of over 500 projects from Houston to Shanghai, Sao Paulo to Dubai, for clients like Vivienne Westwood, Marc Jacobs and L'Oreal. 

in 2012, he launched the 19 greek street gallery which became a pioneering force for sustainable design in London. 

His projects, as well as his private home, have been frequently lauded by top interior design press around the world.  

Over the past few years, Marc has engaged on a path of transformation, developing his craft as a shaman and energy worker, leading him to  develop his current Sacred Transformative Space practice. 
 

download.jpg
The+Library+©+Michael+Franke_MG_5644+copy.jpg

"I’M CONVINCED THERE ARE ALIENS ON ANOTHER PLANET

LOOKING DOWN AT US AND LAUGHING."

-Marc Peridis, Higher Ground (Pamono)


  I remember at the ripe age of four, ripping through design and furniture catalogs... 

I remember at the ripe age of four, ripping through design and furniture catalogs... 

I remember at the ripe age of four, ripping through furniture catalogs and running around placing pictures of the pieces where I thought they should go.

I was a natural born interior designer.
..

Yet, being born in Canada from Middle-Eastern parents, my cultural context led me to pursue more traditional fields. I studied law, science, business, even mathematics... But the seed had been planted yet and the universe would have its way, as a path of self-instruction led me to run a design studio, overseeing the completion of over 500 projects from Houston to Shanghai, Sao Paulo to Dubai, for clients such as Marc Jacobs, Vivienne Westwood and L’Oreal.

A series of uncommon circumstances led me to create 19 greek street, a 6-floor victorian townhouse-turn-gallery, committed to sustainable lifestyle. 

Taking a break from London life, I embarked on a journey which spanned Nepal, Barcelona, Liberia, Mongolia, and then remote parts of Brazil. I set off to explore a different part of myself, one far away from my habitual daily life.    

I discovered in myself a desire to connect to the human spirit. First my own, and then others. 

A series of bizarre encounters in various above mentioned locations led me to uncover, in myself,  Shamanic abilities waiting to be developed and explored. 

After various experiences, pilgrimages, missions, retreats, I embarked on a  shamanic transformation training with Arizona based teacher Kenneth Ray Stubbs.

Simply put, the work aims to develop transformative abilities, of ourselves and of others, by developing our energetic capabilities and allowing us to function at a higher level of intensity. The higher level of intensity we are functioning from, the more transformation we can have. 

As a result, one's life is transformed, and a capability to bring a shaping energy of intention and manifestation to the outside world is enabled. 

So I made the decision to channel this knowledge to the field of Interior design, by developing the Sacred Art of Transformative Spaces, a new philosophy uniting Aesthetics, Sustainability, Spatial Energy and Intention to support personal growth in transformation to people's lives. 

I understood very quickly, that if shaman or any esoteric practitioner could bring transformation to someone's life, an "intentionally designed" space could as well. If a shaman could become a writer of environments, they too could also deliver on a promise of abundance, joy, and a sense of connection to purpose.

The world is awakening to a new level of global consciousness, it must be nurtured and cultivated. Spaces such as yoga studios, organic restaurants, hotels, retreat centers, spas and even private homes, should become havens for human beings to awaken to their most honorable selves. Indeed, our world needs more temples.

Not for worship, but for eating, sleeping, working and making love. 

 
 

 . 


THE ALCHEMY OF SPACE

We owe it to the fields that our houses will not be the inferiors of the virgin land they have replaced. 
We owe it to the worms and the trees that the buildings we cover them with will stand as promises of
the highest and most intelligent kinds of happiness. 
-Alain DeBotton

 
 

We are different people in different spaces. 

If I asked you to write down the five places that have had the strongest impact on you, what would they be? Famous monuments? Temples? Hotels?

Here's some help. You probably felt more inspired visiting Paris' Sacré-Cœur Basilica than a roadside fluorescent-lit McDonald's, for instance. Perhaps it was the Louvre, or the Acropolis. Or a special hotel that appeared as an oasis at just the right time. The world is full of places with the power to transform our lives.

For the past five years, I have been trying to sell sustainable, experimental and progressive design to anyone who would listen - and I promise it hasn't been easy. Some worry that opting for sustainability is more expensive, less stylish and less convenient. 
What I have realised is this: when people feel good about themselves, they naturally want to do good. That leads me to explore a very different dimension of sustainability, one related to personal growth and development. The more we develop a sense of inner peace, the more likely we are to extend compassion and kindness to the world around us. In my case, I often credit a ten-day meditation retreat in Nepal for being the main catalyst for my decision to pursue a career devoted to sustainable lifestyle, even if it meant sacrificing financial security. Diving into ourselves and leaving behind social constructs connects us with the part of ourselves that genuinely only wants to do good, because fundamentally, human beings are good.

 

THE SACRED ART OF TRANSFORMATIVE SPACES
If buildings such as the Sacré-Cœur can make us feel inspired, peaceful and connected, what enables this and how do we get more of it?

First of all: aesthetics. The Sacré-Cœur was designed by famous architect Paul Abadie in 1875 and is still revered as one of the world's most striking monuments, nearly impossible to approach without being impressed by its physicality and grandeur.

Another significant point is the intention of the space. The driving force behind the Sacré-Cœur was a collective aim to create a monument representing spiritual renewal for French society, which had been divided since the revolution ended some 100 years earlier. Interestingly, it is the only church in the world that has records indicating there have been people praying at its pews 24 hours a day, seven days a week, since its inception.
 
What if we could find these attributes (stunning architecture, a sacred quality and a focused intention) in spaces that we interact with on a daily basis, rather than those we only visit occasionally? What would happen if we lingered, or even slept, ate, worked and lived in sacred spaces?

'The Sacred Art of Transformative Spaces' (SATS), my newly developed design philosophy, aims to answer these very questions, by uniting aesthetics, sustainability, spatial energy and intention to support personal growth.

1. FORM AND AESTHETICS

Through a careful choice of colours, objects, furniture and materials, we create a sense of deep connection with visitors, attempting to resonate with their core values while favouring authenticity over self-indulgent luxury. For instance, when designing the design café for last year's Art of Progress, I chose colours, textures and shapes reminiscent of a majestic natural landscape I had experienced in rural Mongolia. In the apartment above the café, I added light pink tones to the walls for a friendlier feel.

2. SUSTAINABILITY

If spaces can inspire us, so can objects, processes and the people behind them. As a curator, I have always been interested in works from designers who push aesthetic and material boundaries while questioning the state of the world and how to improve it. Furniture and objects that are both stylish and ethically made are becoming increasingly available to us. Connecting to these fuels our own innate creativity and resourcefulness. Every piece holds an energetic vibration, so pieces that are born from a sense of exploration, optimism and yearning for progress will communicate those values to visitors.

3. SPATIAL ENERGY

According to the principles of quantum physics, we are energy. When looking into our composition, we find that everything in the universe is made of atoms consisting of moving energy waves. This explains our interconnectedness, but also the fact that we are sensitive to each other and to our surroundings. Some people have more attractive energies than others, and we also feel the energy of spaces. ('You could cut the tension in this room with a knife,' people often say.)

4. INTENTION

Everyone involved in the creation of a transformative space must align themselves with one intention and communicate it clearly to visitors. Very often, when people are made aware of the sacred nature of a space, a shift occurs in them before even arriving. When tourists visit a grand mosque in Egypt, they enter with a specific mindset, making them more sensitive to energies.

Spaces can bring about transformation through energy, in the same way that esoteric healers do. A well-known practice is Feng Shui, which dates back to nearly 4000 BC. While some of its principles are integrated in my practise, the main element is a process called "Space Whispering". Developed by my teacher Kenneth Ray Stubbs, it uses intention, energy transmission and sacred stones. Space Whispering is widely practised and users have reported numerous results relating to growth, abundance and conflict resolution.

ENTRAINMENT

These four aspects unite to create intelligent spaces that affect guests on an emotional level, eventually triggering transformation. This is a result of an energetic transmission process that is commonly referred to in science as "entrainment", whereby two oscillating systems assume the same frequency or rhythm when they interact.

Picture a table full of metronomes. If at the start the metronomes are all ticking at different beats, they will soon synchronise and tick at the same rhythm. This is what happens energetically with visitors in sacred spaces.

   A table full of metronomes all ticking at different beats will soon synchronise and tick at the same rhythm. This is what happens energetically with visitors in sacred spaces.

A table full of metronomes all ticking at different beats will soon synchronise and tick at the same rhythm. This is what happens energetically with visitors in sacred spaces.

We have established that a space can indeed affect our development. What, then, would a 'sacred transformative space' look like? Perhaps comfortable and stylish Danish sofas and armchairs restored by a social enterprise tables made of reused beads by London-based Czech duo Studio deFORM; a lamp made of recycled tent materials by the talented and visionary Merel Karhof; old discarded tables and school chairs colourfully and artfully up-cycled by Markus Friedrich Staab.

The projects in the repertoire on this website will give you a good idea of the look and feel of these spaces, aiming to live up to the highest standard of interiors around. But to really capture the transformative feel of the space, you will need to actually linger in one of these spaces. 

So how do we start to harness the power of sacred spaces?

Start by sitting in peace for a moment and, perhaps with a meditative tea, reflecting on the spaces that have made you feel your best, perhaps making a list. Then, the next time you visit a new place, take a moment to gauge how you feel. Spend more time in spaces that resonate with you and avoid those that don't. Pay attention to the attributes of these spaces, and think of how you could integrate these into your own home.

You can also check out my social media (InstagramFacebook and and this website), which I update on a regular basis to share easy and stylish ways of achieving this philosophy.

Indeed the world today needs more temples. not for worshipping, but for eating, sleeping, working and making love. 

 

Enchantment awaits. 

Marc Peridis